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Album: The Massacre

50 Cent : The Massacre
Artist: 50 Cent
Album: The Massacre
Year: 2005
Genre: Rap: Hip-Hop

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Track Title Mode, kbps
Length
Size, MB
Download
1 Intro (Produced By Eminem)
165
0:41
0.81
Download  

2 In My Hood (Produced By C. Styles & Bang Out)
176
3:51
4.83
Download  

3 This Is 50 (Produced By Black Jeruz & Sha Money XL)
190
3:04
4.15
Download  

4 I'm Supposed To Die Tonight (Produced By Eminem)
191
3:51
5.25
Download  

5 Piggy Bank (Produced By Needlz)
210
4:15
6.37
Download  

6 Gatman And Robbin' (Feat. Eminem) (Produced By Eminem)
185
3:47
4.98
Download  

7 Candy Shop (Feat. Olivia) (Produced By Scott Storch)
203
3:29
5.05
Download  

8 Outta Control (Produced By Dr. Dre & Mike Elizondo)
221
3:22
5.32
Download  

9 Get In My Car (Produced By Hi-Tek)
208
4:06
6.10
Download  

10 Ski Mask Way (Produced By Disco D)
207
3:06
4.58
Download  

11 A Baltimore Love Thing (Produced By Cue Beats)
182
4:18
5.59
Download  

12 Ryder Music (Produced By Hi-Tek)
177
3:52
4.88
Download  

13 Disco Inferno (Produced By C. Styles & Bang Out)
200
3:34
5.09
Download  

14 Just A Lil Bit (Produced By Scott Storch)
203
3:58
5.75
Download  

15 Gunz Come Out (Produced By Dr. Dre & Mike Elizondo)
197
4:25
6.20
Download  

16 My Toy Soldier (Feat. Tony Yayo) (Produced By Eminem)
212
3:44
5.67
Download  

17 Position Of Power (Produced By Jonathan "J.R." Rotem)
189
3:12
4.32
Download  

18 Build You Up (Feat. Jaime Foxx) (Produced By Scott Storch)
213
2:56
4.45
Download  

19 God Gave Me Style (Produced By Needlz)
207
3:02
4.48
Download  

20 So Amazing (Feat. Olivia) (Produced By Jonathan "J.R." Rotem)
209
3:17
4.90
Download  

21 I Don't Need Em (Produced By BuckWild)
169
3:21
4.05
Download  

22 Hate It Or Love It (Feat. The Game) (Produced By Cool & Dre)
207
4:24
6.50
Download  

Album Review

With the success of 2003's Get Rich Or Die Tryingbeinglargelydown toits protagonist getting shot nine times, you can see how promotion for the follow-up might have left Curtis '50 Cent' Jackson in a quandary.

So, possibly in an act of self-preservation, he's decided to make words his weapon and employed that standard rap machine hype tactic: The Beef. Unfortunately, 50 being 50, this has gotten out of hand. The man's beefs are so excessive they read longer than the average rap album's credits roll.

In the space of one track ("Piggy Bank") he's already snubbed ,Kelis, Nas, Fat Joe, Shyne and Jadakiss, while a well-documented (and well-timed) spat with The Game suggests even his friends arent safe. So it wasa surprise to precisely no one that The Massacres release (rushed, predictably, as 'the street can't wait') was marked by yet another shooting.

Given the resulting column inches, it's tempting to judge the whole exercise as the sequel to some kind of big budget no-brainer action movie - one starring Vin Diesel. From the cartoonish cover onwards, which buffs 50 up to superhero proportions, it's pretty obviously that the brand ('White Americas worst nightmare®') and not the content thats being sold to us.

But, in case we forget, there is a CD in here, too, and unfortunately this is something even 50 can't hide from.

Interestingly, this time around, Dre has taken a back seat and left production duties to a string of mercenaries. Perhaps he was embarrassed. Certainly, there's nothing as thrillingly awesome as "In Da Club", although "Candy Shop" makes a decent stab of impersonating it.

All told, The Massacre is pretty predictable stuff. Lyrically unimaginative, 50 raps like a machine. Musically, it's competent at best. Picture 78 minutes of G-funk, big repetitive loops and big dramatic strings all stitched together with the recurrent sound of gunfire.

As a marketing exercise it's genius -50 knows what his audience wants and he delivers it in spades. He's on his way to becoming raps own Mike Tyson. But much more of this and his career is liable to end up the same way.


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